Here’s an excerpt:

“This book is highly recommended for flute teachers looking for a way to keep students engaged in their scale practice.” – Antares Boyle, Flute Focus Magazine

Read more at www.flutefocus.com.

Thank you Flute Focus!

Jed Wentz Bach: Complete Sonatas for Flute (Performed on period instruments. Jed Wentz is a true artist.  Even if you’ve heard a million versions of Bach’s flute music before, make sure you listen to this CD because it will blow you away.)

Tadeu Coelho 18th Century Flute Sonatas (I love the energy and brilliance in this CD.  One of the few recordings that almost seem to have a “live” concert feel.)

Emmanuel Pahud Paris (This is a new classic. A must have collection of French flute music played beautifully.)

Various Artists Flute Greatest Hits (Very affordable collection of single movements and whole pieces performed by great musicians.  A good intro to flute music for everyone.)

Jeanne Baxtresser Orchestral Excerpts for Flute (A companion to Baxtresser’s book: Orchestral Excerpts for Flute Required reading and listening for all serious flutists.)

Various Artists Flute Passion (An amazing collection of  some of the most important compositions for flute: Bach to Berio, Schumann, Reich and others in between.)

Ian Clarke within… (A CD of fantastic compositions by the flutist and composer.  It has great cross-over appeal.  I highly recommend it!)

…more to be added for sure!

The one accessory that is essential for anyone with a piccolo is a Piccolo Flag. The piccolo flag is a thin microfiber cloth glued onto a skinny rod used to absorb the condensation from inside the piccolo.  I love that the cloth does not bunch up or get caught in the piccolo and I don’t have to take the piccolo apart to dry it.  The small size of the piccolo means that a little bead of condensation inside can make a big difference in how it plays.  It is also very easy to clean (I use a gel-like hand soap or dish washing liquid, rinse and air dry).  I have a one-piece piccolo flag that I leave out at home and a two-piece flag that came with my Burkart piccolo that I keep in the piccolo case.

The Thumbalina and Thumbport are devices used to aid in balancing the flute.  Both of these devices help the flutist balance the flute on the right thumb.  This prevents the flutist from developing a death-grip on the flute with the right hand.  And it frees the fingers to move easily for quick technique.  (Just try tensing your Thumb now and then try to move the other 4 fingers quickly.  Now relax your thumb and move your fingers.  See?  Easy thumb = easy technique!)  The Thumbalina is made of cork and it is attached to the flute via double-sided tape.  It creates a kind of shelf so that the flute can rest on the thumb without rolling backwards for easy balancing.  The Thumbport is a plastic device that can be removed and repositioned quickly and easily.  It also assists in balancing the flute on the thumb.  The Thumbalina is easy to use but it’s not as easy to move around and once you attach it to your flute, you don’t want to take it off.  But once you find that perfect spot for the Thumbalina, it’s great.  The Thumbport can be easily removed and moved around but it’s not as easy to figure out how to use them.  It takes some patience and experimentation.   Depending on which device you get, some modification to your flute case may be required if yo uwant to keep one of these attached to your flute while in the case.

Once of my favorite flute cases is made by Case Closed Flute Cases.  It’s very rugged and protects my flute very well.  But the most attractive part is that it can be locked.  At airports, I have had to let airport security inspect my flute case.  I have heard horror stories of regular flute cases being opened upside down, etc.  With my Case Closed case, I lock the compartment that contains the flute.  If they want to open it, they have to wait for me to give them the key.  I then have time to calmly explain that I can unlock it,  it’s a flute, very valuable and I’d like a supervisor there, etc.

I’ll be sure to add more of my favorite gadgets soon!

Second, I’ve listed as few ways you can help your child below:

• Provide a quiet, well-lit, private area where they can practice regularly. This can be a corner of the living room or in their bedroom but make sure it’s a permanent area for practice, an area where they can store their music books, stand, and metronome. An area without distractions.
• Take your child to live concerts often. The style of music doesn’t make a difference. Take your child to professional classical music concerts as well as jazz or rock shows. They will also learn from going to concerts given by amateurs or other children.
• Play music in the house. If you play an instrument or like singing, play and sing often. And play your collection of good quality CDs or recordings often at home.
• Be curious. Ask your child what they learned at their lesson today or ask to hear what they’ve been working on lately. Ask them to play their favorite piece for you. Ask them what is the hardest thing about playing the flute. You can have them perform in a more formal concert after dinner for the whole family or have them serenade you while you make dinner or fold laundry, play a piece for Grandma over the phone, etc.
• Frequency of practice is more important than length of practice. Please help your child practice everyday or at least 5 times a week. Help them establish a regular practice schedule. For younger children, these frequent practice sessions should be treated like play sessions rather than homework or chores.
• Attend your child’s lessons. Some teachers don’t want parents to attend lessons. I think it’s better if you do attend the lessons, especially for beginners or younger children. Siblings and friends however, should not accompany the students to lessons if possible.
• Ask your child for a lesson! Have him or her try to teach you how to make a sound and maybe how to play a few notes. It’s not an easy instrument to just pick up and play…even for adults! Make sure your son or daughter knows that you appreciate his or her hard work in learning to play the flute.

It’s the process of learning that is more important than the end result. Help your child practice in a conscientious and thoughtful manner. Practicing consists of many acts of problem-solving. We want your child to gain creative problem-solving skills in order to learn new pieces better and to become thoughtful and problem-solving adults.

I also highly recommend reading the 8-page article from Practicespot titled, “The Role of Parents.”

As the saying goes, “You get what you pay for.” A rental flute from a music store is guaranteed to be in good working condition when you first rent the instrument. It is also covered under the rental agreement that the store will perform routine maintenance on the instrument while you’re renting it. Even a new flute (especially if it is of poor quality) will need adjustment at a repair shop after you’ve purchased it. A good quality instrument should be taken to the repair shop once a year or so. A poor quality instrument will need more frequent adjustment…and you may find that a $100 flute may start costing you a lot more in repair fees. In fact, most instrument repair professionals will not work on poor quality instruments. This is because many of these repair shops guarantee their work on good instruments for a certain period of time. They cannot guarantee their work on an instrument which was built poorly. More importantly, the poor quality flute will cause frustration and hold back progress because the student has to work much harder to produce a decent sound. Also, the time lost while the flute is in the repair shop does not help.

Please talk to your flute teacher before you buy a flute. Or ask a flute repair person for suggestions on good brands or models.

Check out this advice from a real flute repair professional:
Read “Recommendations for Parents with a 10-Year Old Who Wants to Play the Flute” on Lori Lee’s website.